Notes from the Peninsula
On writing, films and living a creative life
Trust your enthusiasms
After fourteen years in my day job, I am finally leaving. My new role is still coding, but instead of being in Higher Education I'm going to be a consultant with a subsidiary of a global corporation. The PRIVATE SECTOR.
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ChillerCon UK 2022
ChillerCon emerged from the ashes of the Covid-struck StokerCon 2020, miraculously held together by the heroic organisers who dealt with cancelled hotel rooms, refunds, and much else I’ll never know about.
Kindness in retrospect
My internal critic says I’m being lazy, or disorganised, or just not up to the job, but kinder voices reassure me that there is a season for all things.
An oblique strategy
I’m in Wales with my dad today, Good Friday, taking him for a Covid test before he has a cataract operation Monday. He’s been waiting six years to get both eyes treated
Patreon: one month in
The initial idea for Patreon was to explore publishing short stories behind a paywall, to try to motivate myself to finish smaller pieces because there was an expectation, and to put a symbolic stake in the ground.
Writing short stories on Patreon
I’m thinking about what people might like to see in a writer’s Patreon, and what would be exciting for me to publish.
Films, dreams, fiction and writing
I’ve come to think that films are intrinsically linked to my writing practice, but I’m worried my film-watching habit is more of a distraction than an inspiration.
Farewell, 2021
As 2022 comes into view upriver, the final days of 2021 flow past, and I couldn’t pass up the chance to reflect on what I’ve read, watched and written this year.
The great adjustment
Between January 2018 and December 2021, I watched 569 films. I know this because I track the films I watch on Letterboxd. That’s a lot of films.
Keeping the story alive
I’m looking at my work-in-progress, and it seems to be asking how we got here. It’s a patient and wise creature.
In the Earth (2021)
A fascinating, horrible, blackly funny film about Covid, nature, group dynamics, and how humans exist in relation to other forms of life.
Ghostbusters II (1989)
To finish my parade of eighties sequels, I went with this, which I can remember seeing in the cinema at a birthday party. The chemistry isn’t the same, and Bill Murray is... unpleasant.
Friday the 13th Part 2 (1981)
Five years after the killings of Crystal Lake, a new camp has been created, and a killer again picks off the counsellors one by one.
Halloween 4: The Return of Michael Myers (1988)
Ten years after the Haddonfield killings, Michael Myers escapes, forcing Loomis to return and protect Laurie Strode’s daughter, Jamie.
Halloween II (1981)
When Michael Myers’ body goes missing, Dr Loomis continues his search on the streets of Haddonfield, while Laurie is taken to hospital and sedated.
Planet Terror (2007)
An accidentally released biochemical weapon turns soldiers into a pack of marauding flesh-eating mutants. Soon the local population swamp the hospital creating a relentless circus of cheesy dialogue and amusingly extreme violence.
Killer Klowns from Outer Space (1987)
Clowns on screen have never frightened me, not even Pennywise, although on the page he was a different proposition. This film isn’t trying to scare you.
Scream 4 (2011)
Sydney returns to Woodsboro on the fifteenth anniversary of the original killings to promote her new bookbut her niece, Jill, is in the High School, which presents another Ghostface with new victims.
Muppets Haunted Mansion (2021)
Gonzo decides to miss his friends Halloween party to take up an invitation by The Great MacGuffin, his favourite magician, to stay a night at the most haunted mansion in the world.
Your Vice Is a Locked Room and Only I Have the Key (1972)
An abusive husband has writer’s block. When a killer murders a woman he has agreed to meet, and then others are found dead, he forces his wife to help him.